In the early hours of the morning, best buds Brent Corrigan and JJ Knight make the most of their last opportunity to fuck each other's brains out, with JJ using his enormous dick to stretch Brent's hole before shooting his massive load down Brent's throat. In the back of the party bus, they trade blowjobs before Alex pounds the hell out of Jacob's tight hole. Jacob Peterson was feeling a bit left out of the action, but senses a hot connection with the driver, Alex Mecum. These horny, ripped men throw caution to the wind and let loose for the sake of cocksucking, ass-rimming, hole-pounding action! Ryan Rose gets so turnt up, he goes all the way with go-go dancer Topher DiMaggio, sucking dick and getting his ass pounded in the VIP booth! When Sebastian Kross gets stuck outside the club, he heads home with Colt Rivers for hot and sweaty sex that leaves their balls drained and smiles on their faces. The bachelor party gets rolling on a party bus and it doesn't take long before this crazy night in Vegas gets seriously sexed up. Find out just what happened when this bachelor party squad got lit and let it all hang out with super-hung husband-to-be JJ Knight.
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Theo and Hugo’s world isn’t perfect, and their relationship holds no guarantees, but as in Andrew Haigh’s “Weekend,” there’s something thrilling about watching a gay couple meeting with such honesty and potential for future happiness.The studs are all asking 'About Last Night'. But also, the kind of antiretroviral medication prescribed didn’t exist then nonjudgmental hospital staff were a rarity kissing openly on the streets, even at nighttime, was fraught with danger. First, the lengthy, graphic sex scene could never have appeared outside a porn film (Ducastel and Martineau prove that hardcore can also be essential). On the subject of good things, it’s sobering to think that, on every level, this film couldn’t have been made 15 years ago or more. There are other characters, including a Syrian kebab vendor (Georges Daaboul) and an older woman on the metro (Marief Guittier), yet their kindnesses reinforce an Oz-like quality of a calmer, quasi-magical world where good things are allowed to happen. There’s something stirringly essential about “Paris 05:59,” partly thanks to the late-night-inspired sensation that Theo and Hugo have the world to themselves, and can make it into whatever they want.
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Once outside again, the two young men continue their night out, discovering each other as they eat, talk of Balzac (this is a French movie after all), and confirm that falling in love really can happen in a moment. Calmer tempers prevail in the emergency room (a loudmouth homophobe adds just the right amount of absurdist humor to cut the tension), and Theo is prescribed antiretroviral meds, with regular checkups to ensure he’s not infected. The dazed Theo passes from incredulity to anger as Hugo explains they need to get to a hospital pronto. Then he realizes that Theo, the active partner, didn’t use a condom when in the throes of desire, and wasn’t aware that Hugo is HIV-positive.
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When spent, they exit together, Theo staring with semi-dazed incredulity at the object of his “coup de foudre.” The streets of Paris are empty and the pair don’t want to part, so they rent bikes and sail along the nighttime boulevards, with Hugo disarmingly chattering about love. Theo joins the orgy to be near Hugo their eyes lock, and the two ditch their buddies to engage in passionate (and graphic) sex. In a sea of naked men, Theo (Geoffrey Couet) stands apart, riveted by Hugo (Francois Nambot), who is penetrating an anonymous partner. Things kick off at 4.27 a.m. (time is announced graphically, imitating a cell-phone display) in a sex club bathed in red light. On a marketing level, the English title doesn’t give anything away and is awkward to say, whereas a direct translation of the French title, referencing Jacques Rivette’s “Celine and Julie Go Boating,” would be lost on many. Co-helmers Olivier Ducastel and Jacques Martineau (“Family Tree”) deliver their boldest and best work so far, and while some hetero audiences will unquestionably feel sidelined by the explicit orgy, the loss is theirs. This might surprise some, given that its biggest talking point will be the 18-minute hardcore gay orgy at the start, yet the film, conceived in real time, is above all a story about what happens when that bolt of lightning called love suddenly strikes.
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That rarely happens in the cinema anymore, but “Paris 05:59” is that kind of film. Some books make you like the characters so much that you close the covers and imagine a happy future life for them together.